* DESIGN OF
THE YEAR 2010

Objects Around the Tablescape


d.lab, Design Incubation Centre

d.lab is a rare entity in taking the approach of bringing design research to the consumer in a commercial way while remaining rooted in research and exploration. It is fast establishing itself as a Singapore set-up in the international design scene and has showcased various design talents through its efforts. The Objects Around the Tablescape collection has stood out among the 3,000 exhibitors at Maison et Objet for the last three years and has captured much press and retailer interest. It has since been featured in leading design magazines such as Monocole (UK), Wallpaper* (UK), Intramuros (France), Case da Abitare (Italy), Abitare (Italy), Vogue (Australia) and the Financial Times (UK) among others.

The archetypes of d.lab’s work are objects that provide the most basic functions – a cup, a plate, a bowl, a vase, a light. The design process often begins by embracing the innate qualities of the object or material –

by asking a block of wood what it wants to be, how it would like to exist, what the materials themselves can offer and how they can exist within the context of our living space or tablescape.

The design process is not elaborate or deliberate, often seeking a light touch in transforming a material into a new product. The mass of wood, its grain, the colour and the texture of materials all evoke a sense of tactile eminence, and these qualities are borne in mind during the process of realising the design.

The results are often familiar yet strange and refreshing. It could be a study of the object’s proportion around its space; the introduction of a new colour that compliments the visceral quality of the object; or even the adoption of a new material and fabrication process. As d.lab describes it, “All it takes is a decision to introduce certain sensibilities to an object and its surrounding; these sensibilities, gathered subconsciously, became almost innate.”

Applying this process, the Objects Around the Tablescape collection focuses on the visceral and emotive quality of materials, such as translucency, texture, weight, the way an object feels when you hold it in your hand and the way it catches light and shadow. d.lab describes the collection as “a synthesis of different fragments of investigations, thoughts and whispers” that have taken place within the walls of its studio.

In creating the collection, d.lab describes its breakthrough as the moment when it “realised and accepted that our role is not to design or invent but to experience, to accept and to ‘clean away the dust’, so to speak”.

READ MORE

ABOUT THE DESIGNER

The Design Incubation Centre is a design research laboratory within the Division of Industrial Design, that is part of the School of Design and Environment at the National University of Singapore (NUS). The Centre investigates and develops new design tools to find new possibilities for the practice of design through projects that analyse the emerging and evolving human needs, technology and social trends.

The Design Incubation Centre created the commercial entity and trademark, d.lab, to communicate its research and outcomes through commercial distribution channels. This new initiative provides the platform to build business frameworks through which it can create brand value.

d.lab seeks to examine and create new possibilities and new relationships between man, object and his environment. It aims not to “invent new function but [to] evoke clear and tangible emotive values for users”. Its works have been described as “quiet” and “distilled to the point of poetry”. Its greatest strength lies in the ability to take simple shapes and basic materials and to edit or reframe these to a point where they resonate directly and viscerally with those who come in contact with the pieces.

With a diverse client base including designers, architect, developers, galleries, retailers and people on the street, the d.lab brand has also secured retailership overseas and is being distributed by Spazio Rossana Orlandi (Milan, Italy), Marron (Berlin, Germany), Ricordi-Sfera (Kyoto and Tokyo, Japan) and the Wallpaper* wallspace store in la Rinascente (Milan, Italy).

READ MORE

DESIGNER
d.lab, Design Incubation Centre
Division of Industrial Design
School of Design and Environment
National University of Singapore
Patrick Chia, Design Director
Abdul Basit Khan, Design Team
Ang Ee Sock, Design Team
Chang Shian Wei, Design Team
Cheong Yian Ling, Design Team
Fang Siwei, Design Team
Priscilla Lui, Design Team
Thiam Sai Cheong, Design Team
Timothy Wong, Design Team
Dominic Poon, Design Team
Liang Yanjie, Design Team
Tan Jun Yuan, Design Team
Yong Jieyu, Design Team
Wu Yixiu, Design Team

‘‘Seek out your own domain.’’

Insights from the Recipient

What was your main objective for the design?

Patrick Chia: The project was created for the Design Incubation Centre to communicate its research and outcomes through commercial distribution channels. It was also an opportunity for us to develop our own point of view and to benchmark ourselves against the best on a global stage. The biggest challenge was the lack of good fabricators and craftsmen in Singapore. We turned this constraint into opportunity by employing advanced processes such as CNC milling and 3D printing which gave our products a unique language and identity.

Citation

‘‘Seek out your own domain.’’

Jury Citation

d.lab is a design incubator nestled within the Division of Industrial Design, School of Design and Environment at the National University of Singapore. This remarkable facility has the luxury of access to the incredibly well equipped workshops of the university (including a milling machine big enough to machine an entire vehicle and extensive rapid prototyping equipment) and functions as an autonomous design and limited production atelier.

The Objects Around the Tablescape programme has examined the visceral and emotive qualities of materials such as translucency, texture, weight and “feel” as well as appearance to produce a series of domestic products with almost supernatural qualities.

A range of nesting nylon bowls, “printed” from sintered nylon and possessing properties of incredible lightness and flexibility, yet also semi-porous to water (which has led to further investigation for hydroponic applications), demonstrates the thin line between rapid prototyping and rapid manufacture.

Bold steel and timber table lamps demonstrate exquisite metal-folding details with unnerving authority. Simple serving plates milled from solid stone-filled acrylic possess an eerily generous mass for such visually weightless forms. Weight, form and surface finishes are combined in unlikely ratios to continually delight and confound the user.

There is nothing “normal” here.

d.lab’s output in this range is far beyond a mere collection of objects. It is an exciting, new, unique, twenty-first century design ethos made physical.

The paradoxical question here is, what is the “product”? The extraordinary artefacts, or the extraordinary manner of their creation?

VIEW JURORS

Nominator Citation

MR ABDUL BASIT KHAN
GRAPHIC DESIGNER
DESIGN INCUBATION CENTRE
NATIONAL UNIVERSITY OF SINGAPORE

The Design Incubation Centre addresses and explores three spheres of research into human needs, emerging technology and social trends. It seeks to create new ideas and products that are intuitive and enriching without losing sight of the experience and encounter.

The Centre’s distinct approach to and emphasis on mining and discovering unmet needs enables it to redefine areas of human interaction with new technology and software that affect daily life and social behaviour. The Design Incubation Centre tries to find a new sensibility that allows it to create products that focus on the augmentation of human capability and to further examine the boundaries between physical and mental limitations.

d.lab was created to communicate the Centre’s research and outcomes through commercial distribution channels. The first three collections from d.lab’s Objects Around the Tablescape series were exhibited in Paris at Maison et Objet for three consecutive years. The first collection of Objects Around the Tablescape made its debut in January 2008, followed by subsequent exhibitions in January 2009 and recently in January 2010. These collections were also exhibited in Milan at SaloneSatellite in April 2009. Just recently, d.lab’s fourth collection, Pre-Editions, was exhibited in Milan at SaloneSatellite in April 2010.

Developed through a material exploration workshop, the first collection in Corian® was designed and manufactured in Singapore by Design Incubation Centre’s team of designers as well as National University of Singapore’s Industrial Design Programme students and alumni contributors, with design direction from Patrick Chia. The second and third collection explored materials such as SLS nylon, fibre reinforced plastic, maple and balau wood, while the recent fourth collection in Milan introduced two new materials in the collection, copper and Delrin®.

d.lab is fast establishing itself as a Singapore set-up in the international design scene and has showcased design talents through its efforts. The Objects Around the Tablescape collection has stood out among the 3,000 exhibitors at Maison et Objet for the last three years and has captured much press and retailer interest. It has since been featured extensively in leading international design magazines.

The d.lab brand has also secured retailership overseas and is being distributed by Spazio Rossana Orlandi (Milan, Italy), Marron (Berlin, Germany), Ricordi-Stera (Kyoto and Tokyo, Japan) and Wallpaper* wallspace store in La Rinascente (Milan, Italy).

OTHER RECIPIENTS